Literary Fiction Audiobooks

Winner of the National Book Award for Fiction A Best Book of the Year: The Washington Post, Time, BookPage A Must-Read: The New York Times, Time, Los Angeles Times, Chicago Tribune, The Guardian, Boston Herald, Literary Hub, The Rumpus, The Bay Area Reporter, Datebook, Electric Literature, The Stacks, Them, Publishers Weekly “Sweeping, ingenious . . . A kiss to build a dream on.” —Maureen Corrigan, NPR’s Fresh Air From the bestselling author of We the Animals, Blackouts mines lost histories—personal and collective. Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along to this new narrator. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. As Juan waits for his end, he and the narrator trade stories—moments of joy and oblivion—and resurrect lost loves, lives, mothers, fathers, minor heroes. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures? Inspired by Kiss of the Spider Woman, Pedro Páramo, Voodoo Macbeth, the book at its own center and the woman who created it, oral histories, and many more texts, images, and influences, Justin Torres's Blackouts is a work of fiction that sees through the inventions of history and narrative. An extraordinary work of creative imagination, it insists that we look long and steady at the world we have inherited and the world we have made—a world full of ghostly shadows and flashing moments of truth. A Macmillan Audio production from Farrar, Straus and Giroux.

A prolific and celebrated poet, critic, editor, and teacher, John Freeman is one of the most recognized and versatile forces behind today’s literary scene. His Everand Original, Hit and Run, represents a departure for him as a writer. A work of autobiographical fiction, it inhabits that space between lived experience and the imagination’s riff on that experience. It begins when the narrator — a newly married young man named John — witnesses an accident at the ragged end of a night out with friends. A hit-and-run in downtown Sacramento, California: “Bang! A body pinwheeling in the air,” Freeman writes. “Then something which felt like silence but surely wasn’t. Not at three a.m. at that intersection. When the reality reel rethreaded into the projector there was a man splayed out on the center median, a crowd of revelers laughing and teetering….” The victim does not survive, and that fact — as surreal as it is undeniably real, as horrifying as it is commonplace in its testament to human fragility — becomes a destabilizing crack in John’s world. His sense of safety, home, and his own assumptions about himself are shaken, setting off a series of shock waves in his life that test his marriage, sanity, and what sort of justice is possible for the dead man or for any of us. As the police try to find the driver responsible and enlist John’s help in the investigation, Hit and Run becomes a page-turning whodunit while taking on age-old and acutely topical human mysteries: how we make sense of the unimaginable and brutally unexpected, and how we manage to heal and find connection even as we’re hunted and haunted by loss and chaos. Perhaps the most personal and revealing work Freeman has ever written, it is also a story of romantic love lost and then — against all odds — found. Above all, it’s an urgent and audacious consideration of what it means to bear witness. Freeman does not shy from that responsibility, whatever the costs and frights, and word by word moves from the self-estrangement common in those made to cope with traumatic events to a kind of homecoming, with all the stakes and intimacy of personal essay and the poetics and possibility of the best literary fiction.

"This book rewired my brain; it's a bonafide knockout." —Kristen Arnett, author of With Teeth "You can try bracing yourself for the ride this story takes you on, but it's best to just surrender. Your wig is going to fall off no matter what you do." —Saeed Jones, author of How We Fight for Our Lives A gut-busting and heartbreaking descent into one woman's fraying connection to reality, from a soon-to-be superstar. Coral is the first person to discover her brother Jay’s dead body in the wake of his suicide. There’s no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother. Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reckless determination, she doubles —and triples—down on posing as her brother, risking not only her own sanity but her relationship with her precocious niece, Khadijah. As Coral’s swirl of lies slowly closes in on her, the quirky and mysterious alien world of Wildfire becomes enmeshed in her own reality, in the process pushing long-buried memories, traumas, and secrets dangerously into the present. A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn’s debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind’s capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between. A Macmillan Audio production from Farrar, Straus and Giroux.

NATIONAL BESTSELLER A GOOD MORNING AMERICA BOOK CLUB PICK In this spellbinding novel, an ordinary housewife becomes an unlikely spy—and her dark secrets will test even the most unbreakable ties. Malaya, 1945. Cecily Alcantara’s family is in terrible danger: her fifteen-year-old son, Abel, has disappeared, and her youngest daughter, Jasmin, is confined in a basement to prevent being pressed into service at the comfort stations. Her eldest daughter Jujube, who works at a tea house frequented by drunk Japanese soldiers, becomes angrier by the day. Cecily knows two things: that this is all her fault; and that her family must never learn the truth. A decade prior, Cecily had been desperate to be more than a housewife to a low-level bureaucrat in British-colonized Malaya. A chance meeting with the charismatic General Fujiwara lured her into a life of espionage, pursuing dreams of an “Asia for Asians.” Instead, Cecily helped usher in an even more brutal occupation by the Japanese. Ten years later as the war reaches its apex, her actions have caught up with her. Now her family is on the brink of destruction—and she will do anything to save them. Spanning years of pain and triumph, told from the perspectives of four unforgettable characters, The Storm We Made is a dazzling saga about the horrors of war; the fraught relationships between the colonized and their oppressors, and the ambiguity of right and wrong when survival is at stake.

A PEOPLE Magazine Must-Read Book for Fall 2023 | An Esquire Best Book of Fall 2023 | A Guardian Biggest New Book of 2023 | A LitHub Most Anticipated Book of 2023 An imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell’s 1984, from the point of view of Winston Smith’s lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It’s 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell’s 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else. She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story. Julia takes us on a surprising journey through Orwell’s now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.

OPRAH’S BOOK CLUB PICK • Instant New York Times Bestseller • Named one of the best books of 2023 by The Washington Post, Vanity Fair, The Boston Globe, Time, The New Yorker, and more. “Nothing short of epic, magical, and intensely moving.” —Vogue • “A novel of triumph.” —The Washington Post • “Harrowing, immersive, and other-worldly.” —People From “one of America’s finest living writers” (San Francisco Chronicle) and “heir apparent to Toni Morrison” (LitHub)—comes a haunting masterpiece about an enslaved girl in the years before the Civil War that’s destined to become a classic. Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. A journey that is as beautifully rendered as it is heart wrenching, the novel is “[t]he literary equivalent of an open wound from which poetry pours” (NPR). Annis, sold south by the white enslaver who fathered her, is the reader’s guide. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Annis leads readers through the descent, hers is ultimately a story of rebirth and reclamation. From one of the most singularly brilliant and beloved writers of her generation, this “[s]earing and lyrical…raw, transcendent, and ultimately hopeful” (The Atlanta Journal-Constitution) novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet.

An electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, about addiction and sex, family and independence, and who holds the power in a modern underworld. Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help she alone is convinced she hears. Alternating between the two women’s perspectives, Rachel Lyon’s Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s own late capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting and ecstatic novel that vibrates with lush abandon. Readers will not soon forget it.

Literary icon Julia Alvarez, the international bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents, returns with a luminescent novel about storytelling that reads like an instant classic. Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So, when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace. But they have other ideas and soon begin to defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener to the secret tales unspooled by Alma’s characters. Among them, Bienvenida, dictator Rafael Trujillo’s abandoned wife who was erased from the official history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States. The Cemetery of Untold Stories asks: Whose stories get to be told, and who's buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories. Julia Alvarez reminds us that the narratives of ourlives are never truly finished, even at the end. “Thought-provoking and powerful, The Cemetery of Untold Stories is a balancing act of the everyday and the magical, a blend of history and cuento. Through imperfect characters longing for love and fighting against el olvido, we are reminded that stories have the power to bring us together.”—Jaquira Díaz, author of Ordinary Girl

Set in a Lower East Side tenement in the early days of the COVID-19 lockdowns, Fourteen Days is an irresistibly propulsive collaborative novel from the Authors Guild, with an unusual twist: each character in this diverse, eccentric cast of New York neighbors has been secretly written by a different, major literary voice—from Margaret Atwood and John Grisham to Tommy Orange and Celeste Ng. One week into the COVID-19 shutdown, tenants of a Lower East Side apartment building in Manhattan have begun to gather on the rooftop and tell stories. With each passing night, more and more neighbors gather, bringing chairs and milk crates and overturned pails. Gradually the tenants—some of whom have barely spoken to each other—become real neighbors. In this Decameron-like serial novel, general editors Margaret Atwood and Douglas Preston and a star-studded list of contributors create a beautiful ode to the people who couldn’t escape when the pandemic hit. A dazzling, heartwarming, and ultimately surprising narrative, Fourteen Days reveals how beneath the horrible loss and suffering, some communities managed to become stronger. Includes writing from: Charlie Jane Anders, Margaret Atwood, Jennine Capó Crucet, Joseph Cassara, Angie Cruz, Pat Cummings, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Douglas Preston, Alice Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, Caroline Randall Williams, De’Shawn Charles Winslow, and Meg Wolitzer! Supplemental enhancement PDF accompanies the audiobook.

A USA TODAY BESTSELLER The inaugural winner of Simon & Schuster’s Books Like Us contest, Elba Iris Pérez’s lyrical, cross-cultural coming-of-age debut novel explores a young girl’s childhood between 1950s Puerto Rico and a small Massachusetts factory town. Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return. Months later, when Andrea and Pablo are brought back to Massachusetts, they find their hometown significantly changed. As they navigate the rifts between their family’s values and all-American culture and face the harsh realities of growing up, they must embrace both the triumphs and heartache that mark the journey to adulthood. A heartfelt, evocative portrait of another side of life in 1950s America, The Things We Didn’t Know establishes Elba Iris Pérez as a sensational new literary voice.

Named a Best Book of 2023 by The New York Times ("incandescent...hilarious...a triumph"), Oprah Daily ("surreal, absurd, lucid, and wise"), Vanity Fair ("Broder [is] a genius and a sorceress"), and more! From the visionary author of Milk Fed and The Pisces, a darkly funny novel about grief and a “magical tale of survival” (Publishers Weekly, starred review). In Melissa Broder’s astonishingly profound new novel, a woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path discovered on a nearby hike. Out along the sun-scorched trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door. So she enters it. What awaits her inside this mystical succulent sets her on a journey at once desolate and rich, hilarious, and poignant. Death Valley is Melissa Broder at her most imaginative, most universal, and finest, and is “a journey unlike any you’ve read before” (Nana Kwame Adjei-Brenyah, author of Friday Black).

A searing debut about the complexities of gender, power, and fame, told through the story of a young woman’s destructive relationship with a legendary writer. It’s 2015, and Tatum Vega feels that her life is finally falling into place. Living in sunny Chile with her partner, Vera, she spends her days surrounded by art at the museum where she works. More than anything else, she loves this new life for helping her forget the decade she spent in New York City orbiting the brilliant and famous author M. Domínguez. When a reporter calls from the US asking for an interview, the careful separation Tatum has constructed between her past and present begins to crumble. Domínguez has been accused of assault, and the reporter is looking for corroboration. As Tatum is forced to reexamine the all-consuming but undefinable relationship that dominated so much of her early adulthood, long-buried questions surface. What did happen between them? And why is she still struggling with the mark the relationship left on her life? Told in a dual narrative alternating between her present day and a letter from Tatum to Domínguez, recounting and reclaiming the totality of their relationship, Like Happiness explores the nuances of a complicated and imbalanced relationship, catalyzing a reckoning with gender, celebrity, memory, Latinx identity, and power dynamics. A Macmillan Audio production from Celadon Books.

“Paul Theroux has exploited this biographical lacuna with great shrewdness and gusto… his fictional account of Blair’s life there [Burma] is a valid and entirely credible attempt to add flesh to the skeletal facts we have of this time. […]this novel is one of his finest, in a long and redoubtable oeuvre.” —New York Times Book Review From the acclaimed author of The Mosquito Coast and The Bad Angel Brothers comes a riveting new novel exploring one of English literature’s most beloved and controversial figures—George Orwell—and the early years as an officer in colonial Burma that transformed him from Eric Blair, the British Raj policeman, into Orwell the anticolonial writer. At age nineteen, young Eton graduate Eric Blair set sail for India, dreading the assignment ahead. Along with several other young conscripts, he would be trained for three years as a servant of the British Empire, overseeing the local policemen in Burma. Navigating the social, racial, and class politics of his fellow British at the same time as he learned the local languages and struggled to control his men would prove difficult enough. But doing all of this while grappling with his own self-worth, his sense that he was not cut out for this, is soon overwhelming for the young Blair. Eventually, his clashes with his superiors, and the drama that unfolds in this hot, beautiful land, will change him forever.

Named a Best Book of the Year by The Guardian and The Financial Times From “one of the most original minds in contemporary literature” (Nick Hornby) the bestselling and award-winning author of Golden Hill delivers a noirish detective novel set in the 1920s that reimagines how American history would be different if, instead of being decimated, indigenous populations had thrived. Like his earlier novel Golden Hill, Francis Spufford’s Cahokia Jazz inhabits a different version of America, now through the lens of a subtly altered 1920s—a fully imagined world full of fog, cigarette smoke, dubious motives, danger, dark deeds. And in the main character of Joe Barrow, we have a hero of truly epic proportions, a troubled soul to fall in love with as you are swept along by a propulsive and brilliantly twisty plot. On a snowy night at the end of winter, Barrow and his partner find a body on the roof of a skyscraper. Down below, streetcar bells ring, factory whistles blow, Americans drink in speakeasies and dance to the tempo of modern times. But this is Cahokia, the ancient indigenous city beside the Mississippi living on as a teeming industrial metropolis, filled with people of every race and creed. Among them, peace holds. Just about. But that corpse on the roof will spark a week of drama in which this altered world will spill its secrets and be brought, against a soundtrack of jazz clarinets and wailing streetcars, either to destruction or rebirth.

"A breath of fresh air."—BookPage "Both narrators bring deep emotional tonality...this exceptional listen will foster deep book club discussions." —Booklist "Alternately gripping, moving, and thought-provoking...this is an audiobook to savor." - AudioFile A riveting account of women’s lives on the margins of the Vietnam War, from the renowned winner of the National Book Award. You have no idea what it was like. For us. The women, I mean. The wives. American women—American wives—have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on loan to navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. In Saigon in 1963, the two women form a wary alliance as they balance the era’s mandate to be “helpmeets” to their ambitious husbands with their own, inchoate impulse to “do good” for the people of Vietnam. Sixty years later, Charlene’s daughter, spurred by an encounter with an aging Vietnam vet, reaches out to Tricia. Together, they look back at their time in Saigon, taking wry account of that pivotal year and of Charlene’s altruistic machinations, and discovering as they do how their own lives as women on the periphery—of politics, of history, of war, of their husbands’ convictions—have been shaped and burdened by the same sort of unintended consequences that followed America’s tragic interference in Southeast Asia. A virtuosic new novel from Alice McDermott, one of our most observant, most affecting writers—about folly and grace, obligation, sacrifice, and, finally, the quest for absolution in a broken world. A Macmillan Audio production from Farrar, Straus and Giroux.

A wondrous, tender novel about a young girl grappling with her role in a tragic loss—and attempting to reshape the narrative of her life—from PEN/Faulkner Award nominee Claire Oshetsky Margaret Murphy is a weaver of fantastic tales, growing up in a world where the truth is too much for one little girl to endure. Her first memory is of the day her friend Agnes died. No one blames Margaret. Not in so many words. Her mother insists to everyone who will listen that her daughter never even left the house that day. Left alone to make sense of tragedy, Margaret wills herself to forget these unbearable memories, replacing them with imagined stories full of faith and magic—that always end happily. Enter Poor Deer: a strange and formidable creature who winds her way uninvited into Margaret’s made-up tales. Poor Deer will not rest until Margaret faces the truth about her past and atones for her role in Agnes’s death. Heartrending, hopeful, and boldly imagined, Poor Deer explores the journey toward understanding the children we once were and the stories we tell ourselves to make sense of life’s most difficult moments.

A New York Times Editors’ Choice • “Laugh-out-loud-funny.” —Harper’s Bazaar • “Quintessential rom-com meets the delicious family sprawl of a Russian classic.” —Vanity Fair • “Say hello to your new favorite fictional family.” —Kirkus Reviews (starred review) For fans of Schitt’s Creek and Sally Rooney’s Normal People, an irresistible and bighearted international bestseller that follows a brother and sister as they navigate queerness, multiracial identity, and the dramas big and small of their entangled, unconventional family, all while flailing their way to love. It’s been a year since his ex-boyfriend dumped him and moved from Auckland to Buenos Aires, and Valdin is doing fine. He has a good flat with his sister Greta, a good career where his colleagues only occasionally remind him that he is the sole Maaori person in the office, and a good friend who he only sleeps with when he’s sad. But when work sends him to Argentina and he’s thrown back in his former lover’s orbit, Valdin is forced to confront the feelings he’s been trying to ignore—and the future he wants. Greta is not letting her painfully unrequited crush (or her possibly pointless master’s thesis, or her pathetic academic salary...) get her down. She would love to focus on the charming fellow grad student she meets at a party and her friendships with a circle of similarly floundering twenty-somethings, but her chaotic family life won’t stop intruding: her mother is keeping secrets, her nephew is having a gay crisis, and her brother has suddenly flown to South America without a word. Sharp, hilarious, and with an undeniable emotional momentum that builds to an exuberant conclusion, Greta & Valdin careens us through the siblings’ misadventures and the messy dramas of their sprawling, eccentric Maaori-Russian-Catalonian family. An acclaimed bestseller in New Zealand, Greta & Valdin is fresh, joyful, and alive with the possibility of love in its many mystifying forms.

""Provocative...a Frankenstein for the digital age...a rich text about power, autonomy, and what happens when our creations outgrow us."" — Esquire ""Unexpected and subtle...delicious and thought-provoking."" — New Scientist For fans of Never Let Me Go and My Dark Vanessa, a powerful, provocative novel about the relationship between a female robot and her human owner, exploring questions of intimacy, power, autonomy, and control. Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard. She’s learning, too. Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself?

“Say Hello to My Little Friend is a masterclass in pace and precision. Crucet can make you cry before you’ve even realized you’ve become invested and make you laugh even through the hurt. Brilliant.” —Nana Kwame Adjei-Brenyah, National Book Award Finalist of Chain Gang All Stars Scarface meets Moby Dick in this groundbreaking, darkly comic novel about a young man’s attempt to capitalize on his mother’s murky legacy—a story steeped in Miami’s marvelous and sinister magic. Failed Pitbull impersonator Ismael Reyes—you can call him Izzy—might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull’s legal team and living in his aunt’s garage-turned-efficiency, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana. When Izzy’s efforts lead him to the tank that houses Lolita, a captive orca at the Miami Seaquarium, she proves just how powerful she and the water surrounding her really are—permeating everything from Miami’s sinking streets to Izzy’s memories to the very heart of the novel itself. What begins as Izzy’s story turns into a super-saturated fever dream as sprawling and surreal as the Magic City, one as sharp as an iguana’s claws, and as menacing as a killer whale’s teeth. As the truth surrounding Izzy’s boyhood escape from Cuba surfaces, the novel reckons with the forces of nature, with the limits and absence of love, and with the dangers of pursuing a tragic inheritance. Wildly narrated and expertly rendered, Say Hello to My Little Friend is Jennine Capó Crucet’s most daring, heartbreaking, and fearless book yet.

From Philip K. Dick Award finalist Elwin Cotman, an irresistibly unnerving collection of stories that explore the anxieties of living while Black—a high-wire act of literary-fantastical hybrid fiction. A rural town finds itself under the authoritarian sway of a tree that punishes children. A pair of old friends navigate their fraught history as strange happenings escalate in a Mexican restaurant. A pair of narcissistic friends wreak havoc on an activist community. An aloof young man finds himself living through his lover’s memories. And a day of LARPing takes a cosmic turn. In each of the seven stories in this collection, characters pursue their obsessions on paths to glory and destruction while around them their worlds twist and warp, oscillating between reality and impossibility. On display throughout is Cotman’s ability to reveal truths about the human experience—about friendship, love, betrayal, bitterness—through whimsy, horror, and fantasy. Elegiac in tone, imaginative and humorous in their execution, the character-driven stories in Weird Black Girls challenge, incite, and entertain.

The Girl with the Louding Voice meets The Water Dancer in this magical, awardwinning literary debut that offers a new take on West African mythology Treasure and her mother lost everything when Treasure’s father died. Haggling for scraps in the market, Treasure meets a man who promises to change their fortunes, but his feet are hovering just a few inches above the ground. He’s a spirit, and he says he can bring Treasure’s beloved father back to life if she’ll do one terrible thing for him first. Ozoemena has an itch in the middle of her back. It’s an itch that speaks to her patrilineal destiny, an honor never before bestowed upon a girl, to defend the land and protect its people by becoming a Leopard. Her father impressed upon her what an honor this was before he vanished, but it’s one she couldn’t want less—she has enough to worry about as she tries to fit in at a new boarding school. As the two girls reckon with their burgeoning wildness and the legacy of their missing fathers, Ozoemena’s fellow students start to vanish, Treasure’s obligations to the spirit escalate, and Ozoemena’s duty of protection as a Leopard grows. Soon the girls are set on a dangerous collision course as both must face impossible choices, discovering what they are willing to sacrifice to get what is theirs in a world that always says “no” to women.

"André Santana's impressive narration deals with one family's contemporary problems...As one crisis bleeds into another, Santana's cool performance and objective distance make this entertaining listening."—AudioFile “I don’t think I will find a book I love more this year.” —Jane Green, New York Times bestselling author “Funny, poignant, joyous, explosive, but most of all affirming of our connections to one another. You Only Call When You're in Trouble is a book to cherish. A book that loves you back. What more could you want, my gosh? Read it!” —Andrew Sean Greer, Pulitzer Prize-winning author of Less Is Lost Is it ever okay to stop caring for others and start living for yourself? After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings. His niece, Cecily—the real love of Tom’s life, as his boyfriend reminded him when moving out—is embroiled in a Title IX investigation at the college where she teaches that threatens her career and relationship. And after decades of lying, his sister wants him to help her tell Cecily the real identity of her father. Tom does what he’s always done—answers the call. Thus begins a journey that will change everyone’s life and demonstrate the beauty or dysfunction (or both?) of the ties that bind families together and sometimes strangle them. Warm, funny, and deeply moving, You Only Call When You’re in Trouble is an unforgettable showcase for Stephen McCauley’s distinctive voice and unique ability to create complex characters that jump off the page and straight into your heart. A Macmillan Audio production from Henry Holt & Company.

A roofing family’s bonds of loyalty are tested when they uncover a long-hidden secret at the heart of their blue-collar town—from Amy Jo Burns, author of the critically acclaimed novel Shiner It’s 1990 and seventeen-year-old Marley West is blazing into the river valley town of Mercury, Pennsylvania. A perpetual loner, she seeks a place at someone’s table and a family of her own. The first thing she sees when she arrives in town is three men standing on a rooftop. Their silhouettes blot out the sun. The Joseph brothers become Marley’s whole world before she can blink. Soon, she is young wife to one, The One Who Got Away to another, and adopted mother to them all. As their own mother fades away and their roofing business crumbles under the weight of their unwieldy father’s inflated ego, Marley steps in to shepherd these unruly men. Years later, an eerie discovery in the church attic causes old wounds to resurface and suddenly the family’s survival hangs in the balance. With Marley as their light, the Joseph brothers must decide whether they can save the family they’ve always known—or whether together they can build something stronger in its place. A Macmillan Audio production from Celadon Books.

A Recommended Book From: The Washington Post * Today * Sunset Magazine * Country Living * Good Housekeeping  A wry, tender novel about a Peruvian immigrant mother and a millennial daughter who have one final chance to find common ground Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for? Now newfound doubts and old memories come flooding in, complicating each woman’s efforts to carve out a good life for herself—and to support the other in the same. Paula thinks Flores should spend her evenings meeting a future husband, not crunching numbers for a floundering aquarium startup. Flores wishes Paula would ask for a raise at her DollaBills retail job, or at least find a best friend who isn’t a married man. When Flores and Paula learn they will be forced to move, they must finally confront their complicated past—and decide whether they share the same dreams for the future. Spirited and warm-hearted, Melissa Rivero’s new novel showcases the complexities of the mother-daughter bond with fresh insight and empathy.

This program includes an author's note read by the author and a conversation between the author and Audie Award–winning narrator Patti Murin. "Murin guarantees Frankel’s story is impeccably, convincingly, utterly heard. A creative process-illuminating author/narrator 'geeking out' interview provides a delightful aural bonus."—Booklist ​“Not all stories of adoption are stories of pain and regret. Not even most of them. Why don’t we ever get that movie?” India Allwood grew up wanting to be an actor. Armed with a stack of index cards (for research/line memorization/make-shift confetti), she goes from awkward sixteen-year-old to Broadway ingenue to TV superhero. Her new movie is a prestige picture about adoption, but its spin is the same old tired story of tragedy. India is an adoptive mom in real life though. She wants everyone to know there’s more to her family than pain and regret. So she does something you should never do — she tells a journalist the truth: it’s a bad movie. Soon she’s at the center of a media storm, battling accusations from the press and the paparazzi, from protesters on the right and advocates on the left. Her twin ten-year-olds know they need help – and who better to call than family? But that’s where it gets really messy because India’s not just an adoptive mother… The one thing she knows for sure is what makes a family isn’t blood. And it isn’t love. No matter how they’re formed, the truth about family is this: it's complicated. A Macmillan Audio production from Henry Holt & Company.

Perfect for fans of Midsommar and Sorrowland, this unsettling and eerie novel features uncanny rumors and a strange package with instructions not to leave Earth...

LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR POETRY "Where are you from . . . ? No-where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt. In this dazzling collection, one sequence deconstructs the sounds and letters of the word "deracinations" to create a sonic landscape of micro- and macroaggressions, assimilation, and self-doubt. A kaleidoscopic personal essay explores the racial positioning of Asian Americans and the epidemic of anti-Asian hate. Several poems titled "Study of Two Figures" anatomize and dissect the Asian other: Midas the striving, nouveau-riche father; Dr. Seuss and the imaginary daughter Chrysanthemum-Pearl he invented while authoring his anti-Japanese propaganda campaign; Pasiphaë, mother of the minotaur, and Sado, the eighteenth-century Korean prince, both condemned to containers allegorical and actual.

A Most Anticipated Book of 2024 by Goodreads, CrimeReads, The Millions, StyleCaster, The EveryGirl, Sunset, Book Riot, and HipLatina January Recommended Reading by The Washington Post, Kirkus Reviews, Book Riot, Nerd Daily, The Mary Sue, and Reading Between the Spines “Mesmerizing...wildly entertaining...Gonzalez is a great storyteller, bringing both Texas and Mexico to the page with a mix of blood and magic...A must-read.” —The Boston Globe A dazzling magical realism western in the vein of Cormac McCarthy meets Gabriel García Márquez, The Bullet Swallower follows a Mexican bandido as he sets off for Texas to save his family, only to encounter a mysterious figure who has come, finally, to collect a cosmic debt generations in the making. In 1895, Antonio Sonoro is the latest in a long line of ruthless men. He’s good with his gun and is drawn to trouble but he’s also out of money and out of options. A drought has ravaged the town of Dorado, Mexico, where he lives with his wife and children, and so when he hears about a train laden with gold and other treasures, he sets off for Houston to rob it—with his younger brother Hugo in tow. But when the heist goes awry and Hugo is killed by the Texas Rangers, Antonio finds himself launched into a quest for revenge that endangers not only his life and his family, but his eternal soul. In 1964, Jaime Sonoro is Mexico’s most renowned actor and singer. But his comfortable life is disrupted when he discovers a book that purports to tell the entire history of his family beginning with Cain and Abel. In its ancient pages, Jaime learns about the multitude of horrific crimes committed by his ancestors. And when the same mysterious figure from Antonio’s timeline shows up in Mexico City, Jaime realizes that he may be the one who has to pay for his ancestors’ crimes, unless he can discover the true story of his grandfather Antonio, the legendary bandido El Tragabalas, The Bullet Swallower. A family saga that’s epic in scope and magical in its blood, and based loosely on the author’s own great-grandfather, The Bullet Swallower tackles border politics, intergenerational trauma, and the legacies of racism and colonialism in a lush setting and stunning prose that asks who pays for the sins of our ancestors, and whether it is possible to be better than our forebears.

A young professional pursues an emotionally intense relationship with a married lesbian couple in this immersive listen that's perfect for fans of Melissa Broder.

"Hinds’ depiction of Piglet’s frantic appetite is piercing, capturing her insatiable need for the lushly described food. This is a listen like slightly burnt caramel—sharp and dark, yet still luscious."—AudioFile (Earphones Award Winner) An elegant, razor-sharp debut about women's ambitions and appetites—and the truth about having it all Outside of a childhood nickname she can’t shake, Piglet’s rather pleased with how her life’s turned out. An up-and-coming cookbook editor at a London publishing house, she’s got lovely, loyal friends and a handsome fiancé, Kit, whose rarefied family she actually, most of the time, likes, despite their upper-class eccentricities. One of the many, many things Kit loves about Piglet is the delicious, unfathomably elaborate meals she’s always cooking. But when Kit confesses a horrible betrayal two weeks before they’re set to be married, Piglet finds herself suddenly…hungry. The couple decides to move forward with the wedding as planned, but as it nears and Piglet balances family expectations, pressure at work, and her quest to make the perfect cake, she finds herself increasingly unsettled, behaving in ways even she can’t explain. Torn between a life she’s always wanted and the ravenousness that comes with not getting what she knows she deserves, Piglet is, by the day of her wedding, undone, but also ready to look beyond the lies we sometimes tell ourselves to get by. A stylish, uncommonly clever novel about the things we want and the things we think we want, Piglet is both an examination of women’s often complicated relationship with food and a celebration of the messes life sometimes makes for us. A Macmillan Audio production from Henry Holt & Company.