Identity & Culture Fiction

“Amazing…I was completely surprised by the ending of this beautifully told and written book.” —Reese Witherspoon “A triumph of historical fiction” (The Washington Post), an instant New York Times bestseller, and a Reese’s Book Club pick, set in 1950s Philadelphia and Washington, DC, that explores what it means to be a woman and a mother, and how much one is willing to sacrifice to achieve her greatest goal. 1950s Philadelphia: fifteen-year-old Ruby Pearsall is on track to becoming the first in her family to attend college. But a taboo love affair threatens to pull her back down into the poverty and desperation that has been passed on to her like a birthright. Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC’s elite wealthy Black families, and his parents don’t let just anyone into their fold. Eleanor hopes that a baby will make her finally feel at home in William’s family and grant her the life she’s been searching for. But having a baby—and fitting in—is easier said than done. With their stories colliding in the most unexpected of ways, Ruby and Eleanor will both make decisions that shape the trajectory of their lives.

The first novel from one of the original Kings of Comedy, Cedric “The Entertainer,” an engaging and entertaining crime caper that is a valentine to close-knit black families and tightly woven communities struggling to get by during the Depression and World War II. Babe is a charismatic and widely loved man, a gambler with a gift for gab that often gets him out of tricky situations. He’s also a dreamer, something he shares with his patient and loving wife, Rosie. They both yearn for financial stability and see the land they own as insurance for future generations. But when Babe and a few comrades enlist in a scheme that improbably falls apart, he endangers the little security the family has.  On the verge of losing everything, what’s a family man to do? If you’re a gambler like Babe, you double down and risk it all for one big score—this time, a plan involving railroad boxcars. Will Babe succeed? Will Rosie continue to support her husband? Are the Feds on to his make-or-break scheme? Flipping Boxcars is Cedric “The Entertainer” at his most engaging best—a charming, fast-paced novel that pays homage to his beloved grandfather and a generation past, anchored by rich, multi-dimensional characters and oozing with irresistible charm.

A darkly comic, speculative debut following an adrift Pakistani translator in London who attends a mysterious language school which boasts complete fluency in just ten days, but at a secret, sinister cost. Anisa Ellahi dreams of being a translator of “great works of literature,” but instead mostly spends her days subtitling Bollywood movies, living off her parents’ generous allowance, and discussing the “underside of life” with her best friend, Naima. Anisa’s mediocre white boyfriend, Adam, only adds to her growing sense of inadequacy with his savant-level aptitude for languages, successfully leveraging his expansive knowledge into an enviable career. But when Adam learns to speak Urdu with native fluency practically overnight, Anisa forces him to reveal his secret. Adam begrudgingly tells Anisa about The Centre, an elite, invite-only program that guarantees near-instant fluency in any language. Skeptical but intrigued, Anisa enrolls—stripped of her belongings, contact with the outside world, and bodily autonomy—and emerges ten days later fluent in German. As Anisa enmeshes herself further within The Centre, seduced by all that it’s made possible, she soon realizes the true cost of its services. By turns dark, funny, and surreal, and with twists page-turning and shocking, The Centre takes the reader on a journey through Karachi, London, and New Delhi, interrogating the sticky politics of language, translation, and appropriation with biting specificity, and ultimately asking: what is success really worth?

“Brilliant.” —The Washington Post * “Nuanced and compelling.” —The New York Times From the PEN/Hemingway Award–winning author of The Madonnas of Echo Park, an engrossing dystopian novel set in a near-future America where mandatory identification wristbands turn second-generation immigrants into second-class citizens—“a well-imagined allegory of divisive racial politics” (Kirkus Reviews). Iris Prince is starting over. After years of drifting apart, she and her husband are going through a surprisingly drama-free divorce. She’s moved to a new house in a new neighborhood, and has plans for gardening, coffee clubs, and spending more time with her nine-year-old daughter Melanie. It feels like her life is finally exactly what she wants it to be. Then, one beautiful morning, she looks outside her kitchen window—and sees that a wall has appeared in her front yard overnight. Where did it come from? What does it mean? And why does it seem to keep growing? Meanwhile, a Silicon Valley startup has launched a high-tech wrist wearable called “the Band.” Pitched as a convenient, eco-friendly tool to help track local utilities and replace driver’s licenses and IDs, the Band is available only to those who can prove parental citizenship. Suddenly, Iris, a proud second-generation Mexican American, is now of “unverifiable origin,” unable to prove who she is, or where she, and her undocumented loved ones, belong. Amid a climate of fear and hate-fueled violence, Iris must confront how far she'll go to protect what matters to her most. “Part social commentary and part thoughtful consideration of themes that include family, identity, transitions, perspectives, and hope” (Shelf Awareness), My Name Is Iris is an all-too-possible story that offers a brilliant and timely look at one woman’s journey to discover who she can’t—and can—be.

LONGLISTED FOR THE NATIONAL BOOK AWARD The long-awaited, profoundly moving, and unforgettable new novel from PEN Award–winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day. From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried…. Sissy, born 1961: Sissy’s relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy’s ear, and in one especially terrifying moment, maybe even saves Sissy’s life. Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an “Indian school” far from their home, Blanche refuses to be cowed by the school’s abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.   Cora, born 1888: Though she was born into the brutal legacy of the “Indian Wars,” Cora isn’t afraid of the white men who remove her to a school across the country to be “civilized.” When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost… A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.

The acclaimed authors of the “emotional literary roller coaster” (The Washington Post) and Good Morning America book club pick We Are Not Like Them return with this moving and provocative novel about a Black woman who finds an abandoned white baby, sending her on a collision course with her past, her family, and a birth mother who doesn’t want to be found. Cinnamon Haynes has fought hard for a life she never thought was possible—a good man by her side, a steady job as a career counselor at a local community college, and a cozy house in a quaint little beach town. It may not look like much, but it’s more than she ever dreamed of or what her difficult childhood promised. Her life’s mantra is to be good, quiet, grateful. Until something shifts and Cinnamon is suddenly haunted by a terrifying question: “Is this all there is?” Daisy Dunlap has had her own share of problems in her nineteen years on earth—she also has her own big dreams for a life that’s barely begun. Her hopes for her future are threatened when she gets unexpectedly pregnant. Desperate, broke, and alone, she hides this development from everyone close to her and then makes a drastic decision with devastating consequences. Daisy isn’t the only one with something to hide. When Cinnamon finds an abandoned baby in a park and takes the blonde-haired, blue-eyed newborn into her home, the ripple effects of this decision risk exposing the truth about Cinnamon’s own past, which she’s gone to great pains to portray as idyllic to everyone…even herself. As Cinnamon struggles to contain old demons, navigate the fault lines that erupt in her marriage, and deal with the shocking judgments from friends and strangers alike about why a woman like her has a baby like this, her one goal is to do right by the child she grows more attached to with each passing day. It’s the exact same conviction that drives Daisy as she tries to outrun her heartache and reckon with her choices. These two women, unlikely friends and kindred spirits must face down their secrets and trauma and unite for the sake of the baby they both love in their own unique way when Daisy’s grandparents, who would rather die than see one of their own raised by a Black woman, threaten to take custody. Once again, these authors bring their “empathetic, riveting, and authentic” (Laura Dave, New York Times bestselling author) storytelling to an unforgettable novel that revolves around provocative and timely questions about race, class, and motherhood. Is being a mother a right, an obligation, or a privilege? Who gets to be a mother? And to whom? And what are we willing to sacrifice for the sake of marriage, friendship, and our dreams?

GOOD MORNING AMERICA BOOK CLUB PICK “The perfect beach read…catapults you into a world that most of us have never seen before—and will have you glued to every page.” —HuffPost “White Lotus meets Big Little Lies” (Good Morning America) in this riveting domestic drama about a young woman who goes missing in Lagos, Nigeria, and her estranged auntie who will stop at nothing to find her. Nicole Oruwari has the perfect life: a hand­some husband, a palatial house in the heart of glittering Lagos, and a glamorous group of friends. She left gloomy London and a troubled family past behind for sunny, moneyed Lagos, becoming part of the Nigerwives—a com­munity of foreign women married to Nigerian men. But when Nicole disappears without a trace after a boat trip, the cracks in her so-called perfect life start to show. As the investigation turns up nothing but dead ends, her auntie Claudine decides to take matters into her own hands. Armed with only a cell phone and a plane ticket to Nigeria, she digs into her niece’s life and uncov­ers a hidden side filled with dark secrets, isolation, and even violence. But the more she discovers about Nicole, the more Claudine’s own buried history threatens to come to light. An inventively told and keenly observant debut novel, The Nigerwife offers a razor-sharp look at the bonds of family, the echoing consequences of secrets, and whether we can ever truly outrun our past.

INSTANT NEW YORK TIMES BESTSELLER • A REESE'S BOOK CLUB PICK “Hard to put down, harder to forget.” — Stephen King, #1 New York Times bestselling author White lies. Dark humor. Deadly consequences… Bestselling sensation Juniper Song is not who she says she is, she didn’t write the book she claims she wrote, and she is most certainly not Asian American—in this chilling and hilariously cutting novel from R.F. Kuang, the #1 New York Times bestselling author of Babel.  Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I. So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree. But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang’s novel is timely, razor-sharp, and eminently readable. 

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a tragic mystery that haunts the survivors, unravels a family, and remains unsolved for nearly fifty years July 1962. Following in the tradition of Indigenous workers from Nova Scotia, a Mi’kmaq family arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come. In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret. For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

“A moving meditation on motherhood, inter-generational trauma and how surface appearances often obscure a deeper truth. . . . A stunning second novel from a writer who set the bar very high with her first!”—Tara Conklin, New York Times bestselling author of The Last Romantics and Community Board The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents. ""After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that’s come after were the result of a family curse. While Yara doesn’t believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so unfulfilled in a life her mother could only dream of. Etaf Rum’s follow-up to her 2019 debut, A Woman Is No Man, is a complicated mother-daughter drama that looks at the lasting effects of intergenerational trauma and what it takes to break the cycle of abuse."" —Time magazine, ""The Most Anticipated Books of the Year""

NATIONAL BESTSELLER A GOOD MORNING AMERICA BOOK CLUB PICK! Winner of the NAACP Image Award, Outstanding Literary Work, Fiction Shortlisted for The Center for Fiction First Novel Prize From National Book Award-winning author Elizabeth Acevedo comes the story of one Dominican American family told through the voices of its women Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila. But Flor isn’t the only person with secrets: her sisters are hiding things, too. And the next generation, cousins Ona and Yadi, face tumult of their own. Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come. A Best Book of 2023 from: Washington Post * Good Housekeeping * Real Simple * Harper's Bazaar * Elle * Time * NPR

*NEW YORK TIMES BESTSELLER!* From “one of those special writers capable of delivering both poetry and plot” (The New York Times Book Review) an immersive historical novel inspired by the true story of a woman physician in 15th-century China—perfect for fans of Lisa See’s classics Snow Flower and the Secret Fan and Tea Girl of Hummingbird Lane. According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient. From a young age, Yunxian learns about women’s illnesses, many of which relate to childbearing, alongside a young midwife-in-training, Meiling. The two girls find fast friendship and a mutual purpose—despite the prohibition that a doctor should never touch blood while a midwife comes in frequent contact with it—and they vow to be forever friends, sharing in each other’s joys and struggles. No mud, no lotus, they tell themselves: from adversity beauty can bloom. But when Yunxian is sent into an arranged marriage, her mother-in-law forbids her from seeing Meiling and from helping the women and girls in the household. Yunxian is to act like a proper wife—embroider bound-foot slippers, recite poetry, give birth to sons, and stay forever within the walls of the family compound, the Garden of Fragrant Delights. How might a woman like Yunxian break free of these traditions and lead a life of such importance that many of her remedies are still used five centuries later? How might the power of friendship support or complicate these efforts? A captivating story of women helping each other, Lady Tan’s Circle of Women is a triumphant reimagining of the life of one person who was remarkable in the Ming dynasty and would be considered remarkable today.

“Does love conquer all? Does it now? Did it ever? These are questions Cecilia Rabess asks in her nimble, discerning debut…The ending of Everything’s Fine is one of the best I’ve read in years.” —The New York Times A painfully funny, painfully real love story for our time that doesn’t just ask will they, but…should they? Jess is a senior in college, ambitious but aimless, when she meets Josh. He’s a privileged preppy in chinos, ready to inherit the world. She’s not expecting to inherit anything. A year later, they’re both working at the same investment bank. And when Jess finds herself the sole Black woman on the floor, overlooked and underestimated, Josh shows up for her in surprising—if imperfect—ways. Before long, an unlikely friendship forms, tinged with undeniable chemistry. It gradually, and then suddenly, turns into an electrifying romance that shocks them both. Despite their differences, the force of their attraction propels the relationship forward. But as the cultural and political landscape shifts underneath them, Jess is forced to consider if their disagreements run deeper than she can bear, what she’s willing to compromise for love, and whether, in fact, everything’s fine. A stunning debut about “a love affair that turns inferno” (People), that is “extraordinarily brave…funny as hell,” (Zakiya Dalilah Harris) Cecilia Rabess’s Everything’s Fine is an incisive and moving portrait of a young woman who is just beginning to discover who she is and who she has the right to be. It is also a “subtle, ironic, wise, state-of-the-nation novel” (Nick Hornby) that asks big questions about the way we live now and “whether our choices stop and end with us” (The New York Times).

This timely and surprising novel about a family’s search for answers following the disappearance of their mother from the New York Times bestselling author Nancy Jooyoun Kim explores “immigration, identity, love, and loss. A gorgeous, thrilling read” (Jean Kwok, New York Times bestselling author). 1999: The Kim family is struggling to move on after their mother, Sunny, vanished a year ago. Sixty-one-year-old John Kim feels more isolated from his grown children than ever before. But one evening, their fragile lives are further upended when John finds the body of a stranger in the backyard, carrying a letter to Sunny, leaving the family with more questions than ever. 1977: Sunny is pregnant and has just moved to Los Angeles from Korea with her aloof and often-absent husband. America is not turning out the way she had dreamed it to be, and the loneliness and isolation are broken only by a fateful encounter at a bus stop. The unexpected connection spans the decades and echoes into the family’s lives in the present as they uncover devastating secrets that put not only everything they thought they knew about their mother but their very lives at risk. Both “an intricately crafted mystery and a heart-wrenching family saga” (Michelle Min Sterling, New York Times bestselling author), What We Kept to Ourselves masterfully explores what it means to dream in America.

“You may not know Marie-Louise Christophe but once you have met her, you won’t forget her. Vanessa Riley’s historical novel feels timely and relevant, commemorating a time when Black women were queens.” - Jodi Picoult, #1 New York Times bestselling author Acclaimed historical novelist Vanessa Riley is back with another novel based on the life of an extraordinary Black woman from history: Haiti’s Queen Marie-Louise Coidavid, who escaped a coup in Haiti to set up her own royal court in Italy during the Regency era, where she became a popular member of royal European society.  The Queen of Exiles is Marie-Louise Christophe, wife and then widow of Henry I, who ruled over the newly liberated Kingdom of Hayti in the wake of the brutal Haitian Revolution. In 1810 Louise is crowned queen as her husband begins his reign over the first and only free Black nation in the Western Hemisphere. But despite their newfound freedom, Haitians still struggle under mountains of debt to France and indifference from former allies in Britain and the new United States. Louise desperately tries to steer the country’s political course as King Henry descends into a mire of mental illness. In 1820, King Henry is overthrown and dies by his own hand. Louise and her daughters manage to flee to Europe with their smuggled jewels. In exile, the resilient Louise redefines her role, recovering the fortune that Henry had lost and establishing herself as an equal to the kings of European nations. With newspapers and gossip tracking their every movement, Louise and her daughters tour Europe like other royals, complete with glittering balls and princes with marriage proposals. As they find their footing—and acceptance—they discover more about themselves, their Blackness, and the opportunities they can grasp in a European and male-dominated world.   Queen of Exiles is the tale of a remarkable Black woman of history—a canny and bold survivor who chooses the fire and ideals of political struggle, and then is forced to rebuild her life on her own terms, forever a queen. ""A sweeping look at the political, social, and romantic intrigue surrounding Haiti’s first and only queen. Riley’s depiction is richly imagined and wholly original."" — Fiona Davis, New York Times bestselling author of The Magnolia Palace ""Queen of Exiles is the riveting account of Marie-Louise Christophe, Haiti's first and only Queen. Bold, ambitious, historically sound and beautifully told.""--Sadeqa Johnson, New York Times bestselling author of The House of Eve Supplemental enhancement PDF accompanies the audiobook.

“The most profound terror is rooted in love—the terror of losing love, of love betrayed, of love in peril. Justin C. Key’s work is a cold knife through a hot heart, a surgical blade unleashing gouts of searing fear.”—Cory Doctorow, author of Red Team Blues, Little Brother, and Radicalized “An electrifying collection of stories that would make Octavia E. Butler smile.”—Ebony Black Mirror meets Get Out in this gripping story collection reminiscent of the work of Octavia E. Butler, which deftly blends science fiction, horror, and fantasy to examine issues of race, class, and prejudice—an electrifying, oftentimes heartbreaking debut from an extraordinary new voice. Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all. In The World Wasn’t Ready for You, Key expands and subverts the horror genre to expertly explore issues of race, class, prejudice, love, exclusion, loneliness, and what it means to be a person in the world, while revealing the horrifying nature inherent in all of us. In the opening story, “The Perfection of Theresa Watkins,” a sci-fi love story turned nightmare, a husband uses new technology to download the consciousness of his recently deceased Black wife into the body of a white woman. In “Spider King,” an inmate agrees to participate in an experimental medical study offered to Black prisoners in exchange for early release, only to find his body reacting with disturbing symptoms. And in the title story, a father tries to protect his son, teaching him how to navigate a prejudiced world that does not understand him and sees him as a threat. The World Wasn’t Ready for You is a gripping, provocative, and distinctly original collection that demonstrates Key’s remarkable literary gifts—a skill at crafting science fiction stories equaled by an ability to sculpt characters and narrative—as well as his utterly fresh take on how genre can be used to delight, awe, frighten, and ultimately challenge our perceptions. Wildly imaginative and powerfully resonant, it introduces an unforgettable new voice in fiction.

A Real Simple Must-Read Book of Summer 2023 “Mai Nguyen has proven herself to be a real standout.” —Taylor Jenkins Reid, New York Times bestselling author A tender, humorous, and page-turning debut about a Vietnamese Canadian family in Toronto who will do whatever it takes to protect their no-frills nail salon after a new high end salon opens up—even if it tears the family apart. Perfect for readers of Olga Dies Dreaming and The Fortunes of Jaded Women. Vietnamese refugees Debbie and Phil Tran have built a comfortable life for themselves in Toronto with their family nail salon. But when an ultra-glam chain salon opens across the street, their world is rocked. Complicating matters further, their landlord has jacked up the rent and it seems only a matter of time before they lose their business and everything they’ve built. They enlist the help of their daughter, Jessica, who has just returned home after a messy breakup and a messier firing. Together with their son, Dustin, and niece, Thuy, they devise some good old-fashioned sabotage. Relationships are put to the test as the line between right and wrong gets blurred. Debbie and Phil must choose: do they keep their family intact or fight for their salon? Sunshine Nails is a light-hearted, urgent fable of gentrification with a cast of memorable and complex characters who showcase the diversity of immigrant experiences and community resilience.

“Swim Home to the Vanished is a lush and fantastic journey through strange lands and minds from an incandescent new voice full of my kind of melancholic brilliance and unromantic magic.”—Tommy Orange, author of There, There After the death of his brother, a grief-stricken young man seeks refuge and oblivion in a secluded fishing village dominated by a family of brujas in this haunting debut novel, inspired, in part, by the ramifications of Diné history and thought—a mesmerizing, original tale in the tradition of works by Toni Morrison, Haruki Murakami, and Gabriel García Márquez. When the river swallowed Kai, Damien’s little brother didn’t die so much as vanish. As the unbearable loss settles deeper into his bones, Damien, a small-town line cook, walks away from everything he has ever known. Driving as far south as his old truck and his legs allow, he lands in a fishing village beyond the reach of his past where he hopes he can finally forget. But the village has grief of its own. The same day that Damien arrives, a young woman from the community’s most powerful family is being laid to rest. A stranger in town, Damien is the object of gossip and suspicion, ignored by all except the dead girl’s mother, Ana Maria, who offers Damien a room and a job. Grateful for her kindness, Damien soon begins to fall under Ana Maria's charismatic spell. But how long can he resist the rumors swirling through town suggesting she might have had something to do with her daughter’s death? Or deny his strange kinship with one of Ana Maria's surviving daughters, Marta, who knows too well the grief that follows the loss of a sibling—and who is driven by a fierce need for revenge? Swiftly, Damien finds himself caught in a power struggle between the brujas, a whirlwind battle that threatens to sweep the whole village out to sea. Resonant with the Diné creation story and the unshakeable weight of the Long Walk—the forced removal of the Navajo from their land—Swim Home to the Vanished explores the human capacity for grief and redemption, and the lasting effects it has on the soul.

A USA TODAY BESTSELLER The inaugural winner of Simon & Schuster’s Books Like Us contest, Elba Iris Pérez’s lyrical, cross-cultural coming-of-age debut novel explores a young girl’s childhood between 1950s Puerto Rico and a small Massachusetts factory town. Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return. Months later, when Andrea and Pablo are brought back to Massachusetts, they find their hometown significantly changed. As they navigate the rifts between their family’s values and all-American culture and face the harsh realities of growing up, they must embrace both the triumphs and heartache that mark the journey to adulthood. A heartfelt, evocative portrait of another side of life in 1950s America, The Things We Didn’t Know establishes Elba Iris Pérez as a sensational new literary voice.

A TODAY Show #ReadWithJenna Book Club Pick ""A riveting mother-daughter tale."" — Elle ""Radiant. … An intimate account of one family’s planting of roots in American soil and the sacrifices great and small that each member makes along the way.” — Washington Post A sweeping, evocative debut novel following three generations of Vietnamese American women reeling from the death of their matriarch, revealing the family’s inherited burdens, buried secrets, and unlikely love stories.  When Ann Tran gets the call that her fiercely beloved grandmother, Minh, has passed away, her life is already at a crossroads. In the years since she’s last seen Minh, Ann has built a seemingly perfect life—a beautiful lake house, a charming professor boyfriend, and invites to elegant parties that bubble over with champagne and good taste—but it all crumbles with one positive pregnancy test. With both her relationship and carefully planned future now in question, Ann returns home to Florida to face her estranged mother, Huơng. Back in Florida, Huơng is simultaneously mourning her mother and resenting her for having the relationship with Ann that she never did. Then Ann and Huơng learn that Minh has left them both the Banyan House, the crumbling old manor that was Ann’s childhood home, in all its strange, Gothic glory. Under the same roof for the first time in years, mother and daughter must face the simmering questions of their past and their uncertain futures, while trying to rebuild their relationship without the one person who’s always held them together. Running parallel to this is Minh’s story, as she goes from a lovestruck teenager living in the shadow of the Vietnam War to a determined young mother immigrating to America in search of a better life for her children. And when Ann makes a shocking discovery in the Banyan House’s attic, long-buried secrets come to light as it becomes clear how decisions Minh made in her youth affected the rest of her life—and beyond. Spanning decades and continents, from 1960s Vietnam to the wild swamplands of the Florida coast, Banyan Moon is a stunning and deeply moving story of mothers and daughters, the things we inherit, and the lives we choose to make out of that inheritance.

Finalist for the 2023 National Book Award for Fiction A groundbreaking debut collection portraying the lived experiences of Black Muslims grappling with faith, family, and freedom in America. In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born. In “Due North,” an obedient daughter struggles to understand why she’s haunted by the spirit of her recently deceased father. In “Who’s Down?” a father, after a brief affair with vegetarianism, conspires with his daughter to order him a double cheeseburger. In “Candy for Hanif” a mother’s routine trip to the store for her disabled son takes an unlikely turn when she reflects on a near-death experience. In “Woman in Niqab,” a daughter’s suspicion of her father’s infidelity prompts her to wear her hair in public. In “New Mexico,” a federal agent tasked with spying on a high-ranking member of the Nation of Islam grapples with his responsibilities closer to home. With an unflinching eye for the contradictions between what these characters profess to believe and what they do, Temple Folk accomplishes the rare feat of presenting moral failures with compassion, nuance, and humor to remind us that while perfection is what many of us strive for, it’s the errors that make us human.

LONGLISTED FOR THE 2024 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION The acclaimed author of The Serpent’s Gift returns with this “deep and beautiful” (Jaqueline Woodson, New York Times bestselling author) story about a queer Black woman working to stay clean, pull her life together, and heal after being released from prison. Ranita Atwater is “getting short.” She is almost done with her four-year sentence for opiate possession at Oak Hills Correctional Center. Three years sober, she is determined to stay clean and regain custody of her two children. Ranita is regaining her freedom, but she’s leaving behind her lover Maxine, who has inspired her to imagine herself and the world differently. My name is Ranita, and I’m an addict, she has said again and again at recovery meetings. But who else is she? Who might she choose to become? Now she must steer clear of the temptations that have pulled her down, while atoning for her missteps and facing old wounds. With a fierce, smart, and sometimes funny voice, Ranita reveals how rocky and winding the path to wellness is for a Black woman, even as she draws on family, memory, faith, and love in order to choose life. Pomegranate is a complex portrayal of queer Black womanhood and marginalization in America from an author “working at the height of her powers” (Tayari Jones, New York Times bestselling). In lyrical and precise prose, Helen Elaine Lee paints a humane and unflinching portrait of the devastating effects of incarceration and addiction, and of one woman’s determination to tell her story.

A TODAY Show Read With Jenna Book Club Pick! A powerful novel about the construction of the Panama Canal, casting light on the unsung people who lived, loved, and labored there It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection. Ada Bunting is a bold sixteen-year-old from Barbados who arrives in Panama as a stowaway alongside thousands of other West Indians seeking work. Alone and with no resources, she is determined to find a job that will earn enough money for her ailing sister’s surgery. When she sees a young man—Omar—who has collapsed after a grueling shift, she is the only one who rushes to his aid. John Oswald has dedicated his life to scientific research and has journeyed to Panama in single-minded pursuit of one goal: eliminating malaria. But now, his wife, Marian, has fallen ill herself, and when he witnesses Ada’s bravery and compassion, he hires her on the spot as a caregiver. This fateful decision sets in motion a sweeping tale of ambition, loyalty, and sacrifice.  Searing and empathetic,The Great Divide explores the intersecting lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers—those rarely acknowledged by history even as they carved out its course. Named a Most Anticipated Book By:  Washington Post * Book Riot * Electric Literature * LitHub * ELLE * The Millions * Goodreads * Reader’s Digest Supplemental enhancement PDF accompanies the audiobook.

A USA TODAY BESTSELLER A “breathtaking space opera” (Publishers Weekly, starred review) about a young tea expert who is taken as a political prisoner and recruited to spy on government officials—a role that may empower her to win back her nation’s independence—perfect for fans of N.K. Jemisin and Nnedi Okorafor. The dust may have just settled in the failed war of conquest between the Holy Vaalbaran Empire and the Ominirish Republic, but the last Emperor’s surrender means little to a lowly scribe like Enitan. All she wants is to quit her day job and expand her fledgling tea business. But when her lover is assassinated and her sibling is abducted by Imperial soldiers, Enitan abandons her idyllic plans and weaves her tea tray up through the heart of the Vaalbaran capital. There, she learns just how far she is willing to go to exact vengeance, free her sibling, and perhaps even secure her homeland’s freedom.

A special dual narration by Katharine Chin and Andrew Eiden! “Emotional, relatable and binge-worthy."" –Tessa Bailey “I’ll read anything she writes. An absolute star."" –Emily Henry “I was hooked on the very first page. Don't miss this one!"" — Carley Fortune A sexy and emotional enemies-to-lovers romance guaranteed to pull on your heartstrings and give you a book hangover from brilliant new voice Yulin Kuang. Named a Most Anticipated Book of 2024 by Entertainment Weekly · Today.com · Paste · Daily Waffle ·The Nerd Daily and more! Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever. Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except… Grant has done everything in his power to move on from the past, including building a life across the country. And while the panic attacks have never quite gone away, he’s well liked around town as a screenwriter. He knows he shouldn’t have taken the job on Helen’s show, but it will open doors to developing his own projects that he just can’t pass up. Grant’s exactly as Helen remembers him—charming, funny, popular, and lovable in ways that she’s never been. And Helen’s exactly as Grant remembers too—brilliant, beautiful, closed off. But working together is messy, and electrifying, and Helen’s parents, who have never forgiven Grant, have no idea he’s in the picture at all. When secrets come to light, they must reckon with the fact that theirs was never meant to be any kind of love story. And yet… the key to making peace with their past—and themselves—might just lie in holding on to each other in the present.

A National Bestseller The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale. It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand. New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

This program is read by a full cast of Stacy Gonzalez, Jonathan Gregg, and Jessica Pimentel, best known for her role on Orange Is the New Black. "The book is clever and original, but what’s more, Jessica Pimentel, a star of Orange Is the New Black, reads Anita as if she’s in a fever dream. There’s a vibrant wickedness to her performance that no doubt will make this one of the best listens of the year."—Vulture REESE'S BOOK CLUB PICK • New York Times bestselling author Xochitl Gonzalez delivers a mesmerizing novel about a first-generation Ivy League student who uncovers the genius work of a female artist decades after her suspicious death A Most Anticipated Book of 2024: TIME, The Washington Post, Refinery 29, Barnes & Noble, Marie Clare, Real Simple, Entertainment Weekly, LA Daily News, LitHub, The Millions, TODAY.com, HipLatina, Book Riot, Kirkus, and more! “Anita de Monte Laughs Last is a cry for justice. Writing with urgency and rage, Gonzalez speaks up for those who have been othered and deemed unworthy, robbed of their legacy." ―The Washington Post "Anita De Monte Laughs Last by Xochitl Gonzalez asks some big questions, like who in art or history is remembered, who is left behind or erased and WHY. I have goosebumps just talking about this story." ―Reese Witherspoon 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite. A Macmillan Audio production from Flatiron Books.

Old secrets are brought to light when a family matriarch returns to Brazil after years away in this “original and highly immersive” (Good Morning America) debut that explores the heartbreak and hope of what it means to be from two homes, two peoples, and two worlds. Daniel Cunha has a lot on his mind. He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father. Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel’s grandfather João—poor João—born to a prostitute and forced to raise his siblings while still a child himself. Not João’s wife, Marta, branded as a bruxa, reviled by her mother, and dragged from her Ilha paradise by her scheming daughter, Maria. And certainly not Maria, so envious of her younger sister’s beauty and benevolence that she took her vicious revenge and fled to the States, abandoning her children: Daniel and Lucia, both tainted now by their half-Americanness and their mother’s greedy absence. There’s poison in the Cunha blood. They are a family cursed, condemned to the pain of deprivation, betrayal, violence, and, worst of all, love. But now Maria has returned to grieve her father and finally make peace with Daniel and Lucia, or so she says. As New Year’s Eve nears, the Cunha family hurtles toward an irrevocable breaking point: a fire, a knife, and a death on the sands of Copacabana Beach. Amid the cacophony of Rio’s tumult—rampant poverty, political unrest, the ever-present threat of violence—a fierce chorus of voices rises above the din to ask whether we can ever truly repair the damage we do to those we love in this “fiery debut novel” (The Washington Post).

A whip-smart and charming debut novel that brilliantly reimagines Pride and Prejudice, set in contemporary Chinatown, exploring contemporary issues of class divides, family ties, cultural identity, and the pleasures and frustrations that come with falling in love. When Elizabeth Chen’s ever-hustling realtor mother finally sells the beloved if derelict community center down the block, the new owners don’t look like typical New York City buyers. Brendan Lee and Darcy Wong are good Chinese boys with Hong Kong money. Clean-cut and charismatic, they say they are committed to cleaning up the neighborhood. To Elizabeth, that only means one thing: Darcy is looking to give the center an uptown makeover. Elizabeth is determined to fight for community over profit, even if it means confronting the arrogant, uptight man every chance she gets. But where clever, cynical Elizabeth sees lemons, her mother sees lemonade. Eager to get Elizabeth and her other four daughters ahead in the world (and out of their crammed family apartment), Mrs. Chen takes every opportunity to keep her investors close. Closer than Elizabeth likes. The more time they spend together, the more conflicted Elizabeth feels…until a shocking betrayal forces her to reconsider everything she thought she knew about love, trust, and the kind of person Darcy Wong really is.

A playful and deeply affective short story collection about the histories, technologies, and generational divides that shape our relationships—from the award-winning writer of Days of Distraction Compelling and perceptive, Tomb Sweeping probes the loyalties we hold: to relatives, to strangers, and to ourselves. In stories set across the US and Asia, Alexandra Chang immerses us in the lives of immigrant families, grocery store employees, expecting parents, and guileless lab assistants. A woman known only to her neighbors as “the Asian recycling lady” collects bottles from the streets she calls home. A young college grad ponders the void left from a broken friendship. An unfulfilled housewife in Shanghai finds a secret outlet for her ambitions in an undercover gambling den. Two strangers become something more through the bond of mistaken identity. These characters, adeptly attuned to the mystery of living, invite us to consider whether it is possible for anyone to entirely do right by another. Tomb Sweeping brims with remarkable skill and talent in every story, keeping a definitive pulse on loss, community, and what it means to feel fully alive. With her debut story collection, Chang further establishes herself as “a writer to watch” (New York Times Book Review).